Wednesday, September 21, 2022

Handout CL: Classroom Policies and Expectations

What it means, ideally, to be a good student
Your primary responsibility as a participant in higher education is to (strive to) be a good student:

Good students attend all classes and arrive on time; put their electronic gadgets and other distractions aside; participate regularly, thoughtfully, and respectfully; consistently strive to produce high quality work and meet all deadlines; consult with the professor during office hours when necessary; seek out assistance when required; and, most generally, openly, deliberately, and with care, enthusiasm, and humility embrace this and other formal opportunities for intellectual, scholarly growth; that is, for pursuing the life of the mind (or, more accurately from my physicalistic perspective, the life of that part of the body we call "mind").

My class policies and expectations, consonant with this understanding of what it means to be (or strive to be) a good student, are as follows:

Attendance
Missing class (or arriving late/leaving early) is not an excuse for missing a deadline or an assignment.  Furthermore, since all of my seminars/courses center on informed, respectful, and inclusive discussion of assigned readings/exercises, attendance -- like its counterpart, participation (see below) -- is obviously required to benefit from or contribute in any significant way to the seminar.  However, in the context of a noncompulsory, post-secondary educational setting, it strikes me as patronizing and pedagogically ineffective to award official credit to those who satisfy this basic requirement. Therefore, aside from those instances when the College requires it, I will not take attendance.  (I imagine that, in some seminars, our biweekly tests -- often involving materials only discussed in class -- will have a salutary influence on attendance.) See also the official college policy which outlines justifiable absences and their attendant responsibilities. In short: attendance is required, but rewarded only (!) with the success that accrues to those good students who, by my definition above, have some success in pursuing the life of the mind.

Participation
Likewise, aside from the basic respect due all persons, I will not award any kind of special credit to those who, in fulfilling an equally basic and obvious duty as a member of a community of learners/scholars, regularly and effectively participate in classroom discussions and other activities. Even so, since each of my seminars is discussion-intensive, I expect all students to participate fully. Mandatory classroom participation schemes, however, like policies that award credit for mere attendance, are often little more than misguided incentives designed to trick or force (adult) students into acting like adults. In short: participation is required, but rewarded only (!) with the success that accrues to those good students who, by my definition above, have some success in pursuing the life of the mind.

Grading
Despite the heavy financial and opportunity costs which attend post-secondary schooling, no one, independently of one's scholarly performance, has purchased or contracted for a right to a good or passing grade (but merely the opportunity to pursue the life of the mind as a good student). Rather, good grades must in some sense be earned. In an effort to resist the triadic wave of grade inflation, social promotion, and consumerism currently plaguing our educational institutions, I strictly adhere to a traditional understanding of the grades A-F (outstanding-good-acceptable-deficient-abysmal).

Furthermore, I fallibly grade (or, more fashionably, assess) students on their individual performance, not on some species of collectivist “curve.” Our responsibility as teachers is to grade student work, not the students themselves. That is, I do not -- and do not think it fair or right for anyone to -- grade (unqualified) student effort, potential, intelligence, character, goals, needs, or any other feature of students' lives aside from their scholarly products and adherence to course standards/expectations. Nevertheless, I will gladly discuss (and reconsider if warranted) my assessment of each student's work at any point in the semester. In short: please don't expect to receive a grade higher than the one you earn.

Unexcused Absences/Make-ups/Extra Credit/Incompletes and other Nonsensical terms
Aside from officially sanctioned reasons for absence or lateness as outlined identified in the College's policy documents, I will – on principle and in fairness to those who do their work in a timely fashion – strictly enforce all course deadlines. Therefore, I will not offer (undocumented) "incompletes," “makeup exams," “partial credit” for late work, or “extra credit” for those hoping to improve existing grades. In short: please plan to do all of your work on time.

Civility/behavior/electronic distractions
I believe that nothing is more corrosive to our educational success than incivility -- a broad category which includes all manner of inappropriate or disruptive behavior, including incessant joking, chatting, arriving late/leaving early, expressing socially disruptive anger, engaging in personal attacks (we discuss the merits of ideas, theories, and positions here, not persons) and using a cellphone or any other electronic gadget, including laptops. While honest disagreement and debate (along with occasional laughter, frustration, or surprise) are natural and welcome consequences of our inquiries, there is never a call for disruptive, disrespectful, abusive, or intimidating (let alone hateful) words or actions of any sort in our dealings with each other in a classroom setting (virtual or otherwise). For online coursework, always follow the basic rules of "netiquette."  In short: please remain fully considerate of others.

Special Accommodations/Extra-Academic Concerns
If/when other aspects of your life threaten to interfere with your formal education, there is no substitute for open and immediate communication with your professor.  Finally, I will happily honor any officially documented requirements for special accommodations as outlined in the MCLA Student Handbook. Please consult MCLA's "Students with Disabilities" policy statement. MCLA's "Help Directory" usefully outlines all student-related services available on campus.

Handout QA: Q&As

What is a Q&A?
A Q&A is a relatively brief  (2-3 double-spaced pages) writing assignment that asks each student to answer in essay form one question (or, depending on the course, defend a conclusion/claim of his or her choice) and to raise two further questions about a particular aspect of our class readings/discussions. In most cases, each student will compose an essay approximately every two weeks.  Typically, I will post the question along with a due date by Friday evening in the margin of my main weblog in the "assignments" page corresponding to the course.

Why write a Q&A?
(1) Q&As encourage critical, careful, deliberate reading of texts — readings which begin with thorough exposition and end with critical interpretation; (2) Q&As create a more permanent (written) record of the reader's reflections on a text and its author's (apparent) intentions; (3) Q&As, qua a literary form, allow students to practice and perfect their own artistic products; and (4) Q&As can promote and assist classroom/online discussion of texts.

How does one successfully complete a Q&A? 
A complete Q&A consists of these four parts (their approximate value indicated in percentages):

1. (70%) Each student produces a 500-750-word (minimally, 2 full, double-spaced pages in non-honors, 100-level courses, and 3 full, double-spaced pages in honors and upper-division courses) answer to the question I pose (or in defense of the conclusion/claim you choose).  Answers should be typed and free of grammatical/stylistic errors (see the "Writing Checklist" and Adrian Piper's "10 Commandments of Philosophical Writing"). In most cases, answers must take the form of well researched, argumentative (or "critical" or "persuasive") essays. I will, on occasion, allow other literary forms.  I've outlined the format for composing these essays in Handouts CR1, CR2, and CR3.  Two related components, therefore, must be present:

2. (15%) A complete CRITO outline (on a separate page from the main essay; see the example in red included on Handout CR3); and

3. (10%) Full bibliographic reference to and use of, minimally, one outside resource (a resource other than the target reading(s) I assign).  Properly cite all quoted or paraphrased material.  Any established style is acceptable (MLA, APA, etc.)  My only concern is that the method you choose is consistent, complete, and accurate.

And finally,

4. (5%) each student then composes two well-formed and thoughtful questions related to the topic at hand, avoiding rhetorical ("who's to say what is really true?") or simple ("how do you pronounce Kant?") questions in favor of substantive issues of genuine concern to the student. It is not necessary to answer the questions you raise.  Simply number the questions "1" and "2" and position them at the bottom of your essay.

How are Q&As graded?
Each student will receive, in traditional, face-to-face courses, a grade of "check minus minus," “check minus,” “check,” or “check plus,” corresponding to the letter grades D, C, B, and A (I will assign letter grades for all online courses).  Though grading is a fallible affair, in general, most Q&As will receive a “check” or "check minus" (B or C) unless obviously deficient or exemplary in some respect.  For an explanation of any abbreviations included in my commentary, consult my "Editorial Suggestions Key."

Note well: For online courses, papers must be emailed before midnight on the due date.  In all cases, late papers (absent a legitimate reason as outlined in the MCLA student handbook) receive little to no credit.

Handout CR1: Brief Essay Desribing the CRITO Method

"Critical Thinking and the Argumentative Essay"
DKJ, 2001
National Critical Thinking Conference
Atlanta, GA

It has always been my nature never to accept advice from any of my friends unless reflection shows that it is the best course that reason offers.  ---- Socrates, in Crito

In this brief essay I introduce a writing technique (CRITO) easily adaptable to any discipline whose curriculum includes formal writing in which the student makes and supports substantive claims (the so-called "argumentative" or "evaluative" essay). Following the philosopher Harvey Siegel, I begin with the idea that a critical thinker is one who is appropriately moved by reasons. This characterization of critical thinking combines a reason assessment component (the principled assessment of reasons and their ability to warrant beliefs, claims, and actions; that is, the domain of arguments) and a critical attitude component (the disposition to engage in principled reason assessment). It follows that the fully critical thinker is both able and disposed to engage in principled reason assessment:

"Such a person habitually seeks evidence and reasons, and is predisposed so to seek -- and to base belief and action on the results of such seeking. She applies the skills and abilities of reason assessment in all appropriate contexts, including those contexts in which her own beliefs and actions are challenged (emphasis mine)." (H. Siegel, Educating Reason, p. 32)

As the final line of this passage suggests, the critical temper is often least spontaneous as we confront our most basic prejudices or deeply held convictions. In these situations, to paraphrase Siegel, we may possess the ability, but not the disposition, to assess critically certain of our beliefs or claims.

CRITO (formed acronymically from the logical terms Conclusion, Reasons, Inference, Truth, and Objections) addresses both the principled reason assessment and critical attitude components of critical thinking. The technique requires students to assess critically (carefully, impartially, consistently) the validity (or strength) of their own inferences, the truth of reasons supplied in defense of conclusions, and, finally, the soundness (or cogency) of those inferences. I claim no originality for the individual elements of CRITO, which simply mirror (in C, R, I, and T) the essential components of any cogent (inductive) or sound (deductive) inference and, not surprisingly, provide an effective outline for (or first draft of) an argumentative or evaluative essay. Although I have chosen to describe its components in the language of formal logic, CRITO requires only a general understanding of the nature of rational argumentation.

C: First, each student must identify clearly the central claim or conclusion (C) he or she hopes to defend. The central claim of an argumentative essay ought to be straightforward, singular, substantive (non-tautological and the object of possible or actual debate), ostensibly defensible, and of genuine interest to the student. (C) is often tentative, in the sense that the student is aware that it is potentially criticizable and open to revision. This first step in producing an argumentative essay – deciding exactly what to write about -- is perhaps the most important. I have devised, therefore, a separate technique (“STEP-I,” an acronym formed from five stages of “C” production – selecting a topic of interest and ensuring its truthfulness, explicitness, particularity, and importance) to help students think critically about choosing and refining the central claims of their essays.

R: Second, (C) requires for its defense a set of premises or reasons (R). Logic demands only that each argument has at least one premise, though the number ought to be sufficient to convince the reader of the truth (accuracy, reasonableness, and so on) of (C).

I: Third, the student must assess the inference (I), or logical connection between (R) and (C), to ensure that the reasons are sufficient to produce (C), either with some degree of probability (inductively) or with certainty (deductively). In less formal terms, this step determines the validity (or, with induction, the strength) of the inference, since an argument can fail despite all of its parts being true (as one might try to defend a true conclusion with irrelevant premises). Failing the (I) test, the student must add to or qualify the existing reasons and conclusion to produce a new argument.

T: Fourth, the student must assess the truth (T) of the reasons, since even a valid or strong argument (that is, a valid or strong argument that passes the (I) test) may contain any number of false parts. The student must replace or refine false premises. Only the best (deductively sound or inductively cogent) arguments will pass both the (I) and the (T) tests.

O: Fifth, the student must construct the strongest imaginable objection(s) (O) to the argument, testing further its ability to withstand critical scrutiny. This is, perhaps, the most difficult stage of CRITO, for it sanctions a potentially unsettling fallibilism; that is, it asks the student to imagine that his or her considered judgments remain susceptible to revision. Finally, the student should respond to the objection(s), adjusting the original argument as necessary.

Since its original publication, CRITO has assisted secondary and post-secondary instructors' efforts to teach philosophy, music, sociology, mathematics, and English composition. While the method has naturally evolved to suit individual teaching styles and pedagogical concerns, several core skills remain invariant across all applications, including CRITO's basic attention to the adequacy of reasons and the process of reasoning itself, the notion of authorial fallibility, the refinement of students' own pre-critical views, and the development of the habit or disposition systematically to question such views.

I will close with three general comments on the method. First, despite its somewhat formulaic appearance, CRITO (together with its complement, STEP-I) merely provides well-placed and potentially rewarding prompts for student activity and reflection. Like other critical thinking techniques, CRITO does not guarantee, but only promotes and directs, critical thought and behavior. It is no routine or easy task, however, to accept even partially CRITO's challenge to engage in principled reason assessment or, especially, to construct and consider nontrivial objections to one's current beliefs.

Second, CRITO presents an opportunity to have these challenges to the students' considered judgments issue, not from the instructor, but from the students themselves, as they learn to apply general rules of good reasoning to their own beliefs and arguments. As an affective strategy, the impersonal, seemingly objective, nature of CRITO's demands may help to provide the emotional space in which students can accept and learn from nontrivial challenges to their most basic assumptions.

Finally, in addition to its obvious value for both "writing-to-learn" and "learning-to-write" programs, CRITO is compatible with most forms of collaborative learning. Small group work, especially pairs , in which students alternate between presenting their work and listening to and commenting critically on another student's work, can facilitate each successive stage of principled reason (and objection) assessment.

(A longer version of this essay, co-authored by Matt Silliman and published in Inquiry: Critical Thinking Across the Curriculum, 17, 4, is available in my office or the library.)

Handout CR2: CRITO-Based Argumentative/Persuasive Essays

Mechanics (form): Your essay — excluding footnotes, bibliography, and CRITO outline (see handout CR3) — should be minimally 2 (nonhonors sections) or 3 (honors and online sections) pages in length; it should have, as a maximum, one-inch margins all around; it should be double-spaced in 10-12 point, non-italicized font of your preferred type and be left justified only; it should include your name and date, single-spaced, in the upper left-hand corner; it should contain no grammatical or spelling errors and conform to the basic conventions of academic, or formal, writing (for example, no contractions (can't, don't, etc.), slang, or inappropriate gender-specific language; minimal use of the passive voice,* nominalizations,** and "mere opinion" (CRITO will be invaluable here);*** and proper — meaning consistent — use of footnotes and bibliography). See also the philosophy department's Style Checklist. Edit your work frequently and carefully: Poor form and style seriously distract from and often undermine the quality of the content.

Grading: (as outlined in your syllabus and/or in the handout on Q&A's).

Generally, when assigning all grades, I attempt to adhere to a traditional understanding of the grades A-F (outstanding-good-acceptable-deficient-abysmal/nonexistent).

Content: In most cases, I will determine the specific focus of your essay by providing a question or prompt related to a class reading. Your task is to research, construct, and refine a sophisticated yet clear, philosophical yet interesting, argumentative essay that responds to my question/prompt. I expect that your thinking and research efforts will take you well beyond the texts I assign in class — these essays are your opportunity to shine as a researcher, writer, artist, and scholar.

-------------------------------

*Avoid the passive voice whenever possible.

For example:

Good: "Good writers avoid the passive voice."
Not so good: "The passive voice is avoided by good writers."

**Avoid nominalizations by expressing important actions as verbs, not nouns.

For example:

Good: "He decided to write clearly."
Not so good: "He made a decision in favor of clarity in his writing."

***Opinions require substantiation.

For example:

“Informed” opinion: "I think Karl Marx is right (or wrong) for reasons X, Y, and Z."
“Mere” opinion: "I think Karl Marx is right (or wrong)."

Handout CR3: Creating a CRITO Outline

CRITO (formed acronymically from the terms Conclusion, Reasons, Inference, Truth, and Objections) addresses both the principled reason assessment and critical attitude components of critical thinking, by requiring students to assess critically (carefully, impartially, consistently, logically, accurately, and relatively autonomously) their beliefs or claims. The individual elements of CRITO mirror the essential components of any cogent or sound inference and provide an effective outline for an argumentative or evaluative essay.

Creating a CRITO Outline

C: State conclusion (or claim) (C). (C) ought to be explicit and clear, particular or singular, important and substantive (the object of possible or actual debate), truthful and accurate, and of genuine interest to the student (see also, handout ST).

R: State reasons (R), premises, or evidence, sufficient to convince the reader of the truth (accuracy, reasonableness, and so on) of (C).

I: Test the inference (I), or argument, to ensure that reasons are sufficient to produce (C).

T: Test the truth (T) of (R), since even a valid or strong argument (that is, a valid or strong argument that passes the (I) test) may contain any number of false parts. Only the best (deductively sound or inductively cogent) arguments pass both the (I) and the (T) tests.

O: Construct the strongest imaginable objection(s) (O) to the argument. Finally, respond to the objection(s), making any necessary revisions to the original argument.

Therefore, a complete CRITO outline should look something like this and fit easily on one page:

Student's Name
Date
Course

C: Central claim of essay (one sentence).
R: All reasons or evidence required to defend C (one sentence for each R).
O: Strongest imaginable objection(s) to C (one sentence for each O).
RO: Response to the objection (one sentence for each RO).

(Note: There will typically be 2-3 R's and at times more than one O.)

Relation of CRITO Outline to Final Essay/Q&A
A CRITO outline produces merely the rough content for an essay, the exact form of which ought to follow the guidelines for producing critical/persuasive essays (see handout CR2) and will be determined by the effort, talent, and imagination of its author. (Note: only the content of stages C, R, and O will be noticeable in both the outline and final essay. I and T are logical tests designed solely to strengthen the overall argument of the essay.)  See also handout ST designed to assist in identifying an adequate "C."

Handout ST: STEP-I

How to choose a “C” for a CRITO outline (see handout CR3)

Step one in producing an argumentative essay – deciding exactly what overarching claim (C) to defend – is perhaps the most important step in the construction of an argumentative essay. The most successful essays begin with a well chosen “C”.  STEP-I is an acronym formed from five, overlapping stages of “C” production – selecting a topic of interest and ensuring its truthfulness, explicitness, particularity, and importance.

1. Selection. If there is choice allowed, select (S) from the range of possible topics one that interest you the most. The best writers focus on topics that intrigue them, that they know something about, or that they enjoy.  Your selection should also be guided by the following 4 considerations.

2. Truthfulness. “C” must be as accurate or truthful (T) as possible. “Hume's antinomous depiction of taste is incapable of supporting an objective definition of art” is (much) better than “Tolstoy's theory of art is nothing other than Soviet propaganda.” An error-free “C” is the only kind worth defending.

3. Explicitness. “C” should be explicit (E), clear, and straightforward. Read the claim aloud, and have others read it, too. It is clear and obvious to you (and to others) what you are claiming? Remove any ambiguities, vagueness, or ungrammatical elements. Could the claim be shortened without loss of meaning? "Music is sound organized as tones relative to a melodic and harmonic system” is (much) better than “Music is what makes the world go 'round.”

4. Particularity. “C” ought to be particular (P) or singular, making only one point about one thing or event. “Trump lied about his taxes” is better than “All politicians are liars.” Sometimes it helps to avoid complexity and quantifiers like “all” and “every.”

5. Importance. “C” should be an important (I) topic of debate. Controversial, substantive claims about matters of interest to all thoughtful persons produce the most interesting essays. “Human exceptionalism inconsistently denies the moral status of relevantly similar nonhumans” is (infinitely) better than “Humans and animals just need to get along!”

Philosophy Toolkit

(Co-authored by Matt Silliman, Dave Johnson, Gerol Petruzella, and Paul Nnodim.  Philosophy Program, MCLA, Third Edition, updated: 2022)

The Sub-domains of Philosophy:

Epistemology
(theories of the nature, scope, and limits of knowledge)

Ontology/Metaphysics
(theories of what there is and how it works)

Ethics/Moral Philosophy/Axiology
(theories of value and norms)

+ Logic
(principles and structures of good reasoning)

This toolkit is a bit more challenging than an ordinary vocabulary list. Many of these concepts will only begin to make sense over time, as you apply them in reading, thinking, and conversation. Our purpose is to provide a helpful and accessible guide as introduction and reference, but to accomplish this we must be as concise as possible, so many entries will seem forbidding at first. Patience is an intellectual virtue you will want to cultivate, but patience is not passivity. Our main purpose is to create a basis for thoughtful discussion and further inquiry– ask questions!

The sub-domains of the discipline are all interrelated. We cannot make ontological claims about what there is without invoking some epistemological claims about how we know that to be the case. Likewise, we cannot make epistemological claims in the absence of ontological assumptions about the nature of knowers and the known. Lastly, we cannot settle questions about either knowledge or being without raising questions of value or worth (axiology), such as whether and to what extent knowledge and truth are good or worth seeking.

You will encounter most of these terms and ideas outside of traditional philosophical contexts. This is because many other intellectual disciplines derive from philosophy historically and conceptually – the main reason scholars of most fields, from biology to literature to history, earn Ph.D. (Doctor of Philosophy) degrees. For example, the physical and life sciences are branches of applied ontology and employ epistemological methods; pedagogy and cognitive science are, in part, applied epistemology; and fields like political science, economics, and literary criticism are applications of axiology. Indeed, all serious inquiry, not to mention everyday life, employs logic (and the other branches of philosophy).

Intellectual Virtues: Seven habits of highly reasonable people

1. Passion for Truth – Whether in epistemology, ontology, moral philosophy, or life generally, a persistent desire to get things right.

2. Critical Thinking – An attitude of curiosity and respect toward all potential sources of knowledge, and an unwillingness to accept important claims uncritically or on mere authority.

3. Judgment – A refined capacity for making judicious and useful distinctions, avoiding gratuitous ones, and framing issues in their appropriate context.

4. Intellectual Honesty – An openness to re-examining one’s views and frankly and openly assessing their merits, contrary to one’s prior assumptions or personal and material interests.

5. Intellectual Humility – A preparedness to acknowledge one’s ignorance or error while proceeding with inquiry (not to be confused with a deflective skepticism or dismissive claim of ignorance. See Fallibilism).

6. Intellectual Courage – A willingness to consider with an open mind ideas or lines of reasoning that are unpopular or potentially dangerous, to follow reasoning and evidence where they lead undeterred by any potential risk their conclusions may pose.

7. Interpretive Charity – A preparedness to give others the benefit of the doubt, interpreting their statements in the best possible light and on the working assumption that their thoughts are valuable. To interpret charitably is not to read or listen uncritically, but to be disinclined to condemn others’ views except as a last resort. It is the practical basis for civility in discourse, as well as prerequisite for grasping unfamiliar texts and approaches.

Some key terms and how philosophers use them

General Philosophical Terms

Absolute/Certain: If there is anything absolutely the case, it is permanent and unchanging. Certainty is a psychological state of a believer who is convinced of the truth of his/her belief. Thus, an absolute claim is (mostly) about metaphysics, while a claim of certainty is (primarily) epistemological.

Ambiguity/Vagueness: These are easy to confuse. An ambiguity is a potential confusion between two or more possible meanings where each is distinct: absent clarifying context,’ head’ might be a body part, a coastal prominence, or the leader of an organization. Vagueness, by contrast, is a potential confusion due to the scalar nature of the quality a term refers to (scalar qualities come in degrees). The term ‘hot’ is vague, for example, because there is no fixed boundary between hot and cold except relative to some stipulated reference temperature. Thus a term, statement, or experience can be ambiguous but not vague, vague but not ambiguous, or at once vague and ambiguous.

Aporia, or Socratic ignorance, is neither a simple lack of knowledge nor a deflective skepticism, but rather acknowledges our lack of full understanding as something for which we seek a cure. It yokes the principles of intellectual humility and intellectual honesty to a relentless and rigorous drive to learn.

Atheism/Agnosticism: Atheism and Theism are (mostly) metaphysical claims, the one denying and the other affirming the existence of God. Agnosticism is the (mostly) epistemological claim that the question is undecidable on the basis of present evidence.

Axiology, Ethics, Moral Philosophy: The study of value and norms. Areas of study within axiology include Social and Political Philosophy and Aesthetics. (Terms for further research: deontology, consequentialism, utilitarianism, virtue theory, hedonism, emotivism, cognitivism/non-cognitivism.)

Description/Prescription: Description involves factual claims; prescription involves moral or valuational judgments. For example, after observing a wild party, one could give a straightforward report of what went on (description), which would be distinct from criticizing (judging) anyone's behavior or asking them to change it (prescription).

Epistemology: The study of the nature, scope, and limits of knowledge or understanding. Related Areas of study include Logic, Cognitive Science, Philosophy of Mind, Pedagogy (teaching and learning). (Terms for further research: rationalism, empiricism, positivism, pragmatism, constructivism, phenomenology, phenomenalism, a priori, a posteriori, teleology.)

Fallibilism: An active recognition of the limitations of our knowledge and judgment. As Socrates understood with his principle of aporia, a balanced sense of our fallibility as investigators is methodologically indispensable to honest inquiry (see intellectual humility above).

Imagination and Feeling: Contrary to popular misconception, philosophy properly concerns itself with feelings, wonder, and imagination as well as with reason. These are the raw materials of thought without which reason would have no focus. We build all systematic thought out of information supplied by subjective experience and narrative, rooted in our emotional responses, which also ground its aims and purposes.

Knowledge: Classically, philosophers conceive knowledge as beliefs that are both true and based on adequate evidence (“knowledge = justified true belief”). There are competing ideas of knowledge, and many subtleties in the details, but this is a good place to start.

Metaphysics & Ontology: The study of what there is and how it works. Areas of study within metaphysics include Cosmology, Ontogeny, and Systems Theory. (Terms for further research: materialism, existence, essence, nominalism.)

Morality/Ethics: Many philosophers define ethics as the systematic study of morality, while others view ethics as the application of moral theory to particular areas of life (e.g., medical ethics). Still other philosophers use the terms ‘ethics’ and ‘morality’ interchangeably. Where usage varies so much within a discipline, not to mention in everyday speech, it is especially important to pay close attention to how a particular writer or speaker is using these terms.

Objective/Subjective claims: A claim is (epistemologically) objective if we possess a public method for investigating whether or not it is true. A claim is (epistemologically) subjective if the primary evidence for determining its truth is a matter of individual experience, opinion, or taste. "The Earth is round" and “Murder is wrong” are objective claims, whereas "I have a headache" is a subjective claim. Either sort of claim, of course, might be true or false.

Ockham’s Razor: We are never entitled to a more complex explanation if a less complex one will serve the available data (the principle of explanatory parsimony). In the words of William of Ockham: “Do not multiply entities beyond necessity.” A more complex explanation might well turn out to be true, but intellectual honesty prevents us from subscribing to it unless and until all the simpler ones fail to explain.

Realism/Idealism: There is an ongoing debate between philosophers who think we can know at least something about a world external to our own minds (realists), and those (idealists) who deny this categorically. Notwithstanding the many great minds who have defended versions of idealism, common sense and most of the compelling arguments favor a fallibilist version of realism, to which most philosophers now subscribe. This is not to say the debate is finished, but a heavy burden of proof at this point rests with idealism.

Reductionism: This is a powerful method for simplifying our understanding of complex, interactive systems by explaining away some elements of a system in terms of others. It is useful but can be dangerous, because a reductive analysis is easy to mistake for a full and adequate account of all features of a system, which it rarely is. The notion of efficiency in economics is an example: producing electricity by burning coal is efficient, according to standard cost-benefit analysis, since downwind environmental, social, and health costs do not figure in the equation. Economists can thus misleadingly reduce real total costs to mere financial costs, leading to destructively narrow policies and behavior.

Relativism: The skeptical assertion that there is no objective measure of something (for example, morality). Some philosophers take a relativist view of knowledge (epistemological relativism) or being (ontological relativism) as well. Whereas it is clear that some things really are (notice the non-relativity in that phrase) relative to something else – we can only measure velocity in terms of a specified frame of reference, for example – relativist assertions often flirt with exaggerated skepticism, and are frequently fallacious and intellectually lazy.

Skepticism: Although it is important to adopt an attitude of cautious doubt (moderate skepticism) toward novel claims as a matter of intellectual humility and critical thinking (see intellectual virtues above), it is equally important not to exaggerate the dubiousness of philosophical or everyday propositions. To do so is to fall into a radical skeptical fallacy, which deflects rather than advances serious thought.

Theism/Deism: Theism is the claim that there is an all-knowing, all powerful, etc., god who creates and governs the universe. Deism is the supposedly milder claim (held, for example by many of the founding fathers of the U.S.) that such a god created the world, but no longer plays any active role in it.

Truth as Correspondence/Truth as Coherence: Many philosophers hold that statements are true if they correspond with the way the world is. Coherence theories of truth deny that such a correspondence is discernable and propose instead that we test a statement’s truth by how well it fits in with other statements – it is true if it coheres, false if it does not. Most (but not all) philosophers who defend realism generally favor a correspondence conception of truth; those inclined to idealism tend to defend coherence.

Logical Terms

Truth: the correspondence of a statement with the way the world is. Philosophers disagree about this definition (see above), but it is a good place to start.

Premise: a claim that a writer or speaker presents in support of some further claim (conclusion).

Logical argument: A set of claims consisting of one or more premises presented in support of a conclusion.

Inference: the intellectual move from premise(s) to conclusion in a logical argument.

Deductive arguments have conclusions intended to follow necessarily from their premises due exclusively to the arguments’ structure or form (thus we call their study formal logic). A deductive argument whose conclusion follows necessarily from its premise(s) is valid; it is sound if it is valid and has true premises. Here is one valid form, called modus ponens:

P1: If A then B
P2: A
C: (Therefore) B

Inductive arguments have conclusions intended to follow from their premise(s) with some degree of probability. An inductive argument whose conclusion follows with a high degree of probability (greater than 50%) is strong; it is cogent if it is strong and has true premises. One example of a fairly strong inductive argument:

P1: Fred has stubbed his toe and is writhing on the ground with tears in his eyes.
P2: As far as we know, Fred is not involved in a theatrical production or deliberate subterfuge.
C: (Therefore) Fred is experiencing pain.

Nonarguments: It takes some practice to distinguish logical arguments from other things we do with language that may at first look like arguments, including disputes, explanations, descriptions, reports, illustrations, and conditional (if…then…) statements. The latter may sometimes represent truncated inferences, but it is usually best to interpret them as single propositions.

Law of Non-Contradiction: Identified by Aristotle as a basic logical principle, the law of non-contradiction claims that something cannot be both true and not true at the same time. For example, the desk in President Obama's office cannot, at one and the same time, be entirely made of wood and not entirely made of wood.

Intensional/Extensional definition: An intensional definition refers to the concept of a term or symbol; its extension is that to which it refers. For example, the intension of the term ‘dog’ includes dictionary and commonplace descriptions of this kind of animal, while the extension of ‘dog’ is the set of all animals that fit this description, past, present, and future.

Necessary/Sufficient Conditions – we intensionally define a term by specifying conditions for it which are both necessary and sufficient. A condition is necessary for X if something could not be an X without having that characteristic (a thing could not be a tree without being made of cellulose, though many things are made of cellulose that are not trees). A condition is sufficient for X if having that characteristic is enough to determine that something is an X (being an oak makes something a tree, though many trees are not oaks).

Tautology: A statement that is true by virtue of its redundancy (e.g., “everything is what it is”). Tautologies are undeniably true, but can never be sources of new information. For example, the truth of fatalism does not follow from the tautology “what will be, will be.”

Types of Definition: Thinking well and clearly demands that we are systematic about what we mean by the terms we use. In clarifying usage, we can appeal to lexical meanings (those reflecting everyday usage and locatable in dictionaries), or we can stipulatively declare a meaning for an existing or coined term (for example: “In formal logic, soundness is a property of deductive arguments such that they are valid and have true premises” or “By ‘frupal’ I mean all and only friends who are cautious with money”). Other means of defining terms include theoretical definitions, which propose hypotheses about a term's meaning to be explored further, and persuasive definitions, which attempt to fix a given meaning rhetorically.

Informal Fallacies

These reflect some of the systematic ways that reasoning can go wrong. Notice that one of the reasons why these mistakes often mislead us, whether intentionally or accidentally, is that they closely resemble good arguments. Thus we need to exercise intellectual humility and interpretive charity whenever there appears to be a fallacy in our own or someone else’s reasoning. Named fallacies are useful tools for noticing possible mistakes in thought or speech, but the search for truth is not a game of “gotcha;” identifying a possible fallacy is the beginning rather than the end of a respectful conversation. Here is a short list of common informal fallacies with an example of each.

• Appeal to the People or ad populum – A claim that something must be the case because many people believe it. Child labor is a widespread historical practice, and still common in much of the world. Therefore, there’s nothing wrong with buying products made with child labor.

• Argument Against the Person or ad hominem – Shifts focus from the substance of your opponent’s statements to an irrelevant attack on his or her person, character, or situation. She's a member of the Republican Party. Therefore, I have no reason to listen to what she says about anything.

• Appeal to Unqualified Authority – My hairdresser thinks we should invade Iran. He's the best hairdresser I've ever found, so I can only conclude that a war with Iran is our best option.

• Appeal to Ignorance – An assertion that some substantive conclusion follows from the mere fact that we don’t know something. No one seems to know where my keys are. It follows that aliens must have taken them.

• False Cause – Misidentifies the actual cause of something, or misinterprets a coincidence as a causal relation. My government research grant application was turned down shortly after Barack Obama became president. It's obvious that the new administration is afraid of what my research might reveal.

• Slippery Slope – Some slopes really are slippery; this fallacy makes it seem like an undesirable outcome is causally inevitable when it really isn’t. If we let students have a say in what the cafeteria serves, they will soon want to help decide how the academic side of the college is run. Before we know it, students will demand the power to assign their own grades, which would undermine the credibility of academic credentials, and then civilization would crumble. Clearly, therefore, we must not let the students influence cafeteria offerings.

• False Dichotomy – Artificially closes off the range of available options. Either we fight the terrorists over there, or we'll have to fight them over here. We don't want to fight them here. Thus there is no alternative to fighting them over there.

• Equivocation – An error in reasoning that results from sliding between alternate uses of an ambiguous term. Some triangles are obtuse. Obtuseness is a form of stupidity. It follows that some triangles are stupid.

• Begging the Question -- Covertly assumes what you're trying to prove. It is perfectly natural for humans to eat animals. Therefore, vegetarianism/veganism is a violation of nature.

Writing Checklist

Writing Checklist

Good writers are multiply literate, able to choose appropriate styles for different purposes. These guidelines apply to writing formal English where, as in academic contexts, it is important to write clearly for an unknown or open-ended readership. This checklist is an ongoing collaboration between Matt Silliman and David Braden-Johnson; we offer it to our students and colleagues for their use, adaptation, and amusement. [1] [Updated 1/2023]



___  1.  Aviod misspelling, and use the write word, not just the won that looks or sounds rite, to.   Spell-check programs are no substitute for your own critical eye.

___  2.  Also using sentence fragments and incomplete sentences that are too long and run-on
sentences.   A complete sentence has a subject, a verb, and an object, normally in that order, and punctuation that closely mimics the cadence of the spoken word.

___  3.  Be sure the verb and the subject agrees in number.   In particular, limit the use of ‘they’ and ‘their’ in referring to singular nouns, unless consciously intending to align with a specific person's identity. It is often helpful in this regard to recast sentences using plural nouns.

___  4.  Kept noun and verbs consistent in number and tense.  It is usually best not to combine plural and singular nouns, and to remain in the past, the present, or the future, rather than jumping around.

___  5.  Remember not to boldly split where no infinitive has gone before.   Form the infinitive of an English verb by placing the preposition ‘to’ in front of it. Let nothing come between them.

___  6.  Its important alway’s to use ones apostrophe’s correctly.  With few exceptions, form possessives by adding an apostrophe and an ‘s.’ However, the possessive of ‘it’ is ‘its,’ since by custom we reserve ‘it’s’ for the contraction of ‘it is.’

___  7.  Like, don’t use contractions or slang and stuff in formal writing.   Like overworked clichés and colloquial expressions, contractions are informal, so usually unsuitable for formal prose.

___  8.  Semicolons separate independent clauses of a sentence; each of which is, in itself; a
complete sentence on its own.   A semicolon links two closely related thoughts, often where one explains or depends on the other.

___  9.  Everyone that refers to persons as objects is a brick.  That’ is for things. Use ‘who’ for persons.

___  10.  It is harder-to-read sentences with misplaced hyphen-disorder.  Hyphenate to combine confusing multiple-word modifiers into a single compound adjective. However, the ‘ly’ of an adverb replaces the hyphen.

___  11.  It is in the book we read in class, Awkward Introductions, written by the author Wry Tur, where he believes…  Writing is an art form; not only clarity of expression but grace, elegance, and beauty matter, so edit out wordy, awkward, stilted, clichéd, and inelegant prose. In place of the above sentence, try: “In Awkward Introductions, Tur writes…”

___  12.  Doesn’t everybody know rhetorical questions are dismissive and obnoxious?  A rhetorical question is just a disguised statement. To avoid putting your readers off, write declaratively.

___  13.  Save “quotation marks” for when you are directly “quoting” a “person” or “text.”   Writers use scare quotes to express their suspicion of certain terms, but far better either to say what is misleading about a term, or choose one that conveys your meaning.

___  14.  The passive voice is to be avoided; it is generally preferred that the subject be identified
clearly.  Passive voice, or indirect discourse, conceals the subject altogether (as in Rumsfeld’s faux apology for the Iraq war: "Mistakes were made") or tags it on awkwardly at the end of the phrase ("The bathroom was gone to by me"). There is nothing wrong with the occasional use of the first person in formal writing; hiding behind the passive voice lends your prose only the illusion of objectivity.

___  15.  Since before the dawn of time, writers have sought to express themselves clearly and simply, eschewing vague, grandiloquent composition and lugubrious tracts of laborious periphrasis.   Be clear and direct, and avoid making global claims for which you lack evidence.
           
___  17.  Mankind can no longer tolerate, in his language, the presumption of maleness as
the norm.   Misplaced gender-specific language is both imprecise and offensive. Use ‘humanity’ instead of ‘mankind,’, and look for similar ways to say, gracefully, what you really mean. Remember that ‘they’ is plural, so either use a pronoun suited to the person about whom you are speaking, or recast the sentence in the plural.

___  18.  I feel it is misleading to express your thoughts and claims as though they were
sensations or emotions.    Feelings are important, but you experience them, as with emotions, sensations, or intuitions. A thought is potentially more public, something you do, and is subject to intellectual challenge and question. Formal writing should almost always invite correction or challenge, so never use ‘feel’ where ‘think’ will do. 

___  11.  Keep[2] footnotes[3] to[4] a minimum,[5] but as some great writer once said:  "Always
acknowledge the sources of your ideas."  Notes should credit and direct readers to all substantive sources of your ideas and language, not distract them from what you are saying.

___  19.  Rely primarily on your choice of words, rather than {extra punctuation!!!!!}, non-standard fonts, CAPITALS, underlining, or italics, to express emphasis or creativity in your writing.   Unless a particular task demands a different format, present your writing in Times New Roman 12-point type, double-spaced, flush left, one inch margins, black ink on 8..5” x 11” paper, stapled if more than one page. If you set the defaults in your word processor to these parameters, most of the time you will not have to think about it.


[1] When writing for our courses you may bend these rules at will, provided you justify your deviations in footnotes.
[2] Rhymes with peep.
[3] I.e.: notes at the foot of the page.
[4] As contrasted with too, or two.
[5] I owe this thought to my writing teacher.

Wednesday, August 14, 2019

Spring, 2024 Syllabi (scroll down to desired syllabus)


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Logic & Critical Reasoning

          Spring, 2024 

Section 1: MWF 10-10:50; Section 2: MWF 11-11:50

Bowman 206

 

Professor:            Dr. David K. Braden-Johnson                      

Department:       Department of English and Philosophy

Office:             60 Porter, Rm 109

Office Hours:     MW 3:30-4:30; F 2-3; and by appt.

Email:                 d.johnson@mcla.edu (best way to contact me)

Blog:               http://www.critojazz.blogspot.com

 

Primary Online Texts:   Matthew Van Cleeve, Introduction to Logic and Critical Reasoning; Matthew Knachel, Fundamental Methods of Logic

Focus of Course

This course is designed to improve your ability to understand, construct, and criticize both informal (natural language) and formal (categorical and propositional) "arguments" or claims presented as reasons for accepting some further claim.  Our every effort to communicate (including our efforts to teach and learn) involves the use (and, quite frequently, misuse) of logical argumentation.  Consider, for example, the following (humorous) syllogism (an argument consisting of three statements (two premises and one conclusion) relating three terms (nothing, logic, and eternal happiness):

Nothing is better than finding eternal happiness.

Taking a course in logic is better than nothing.

Therefore, taking a course in logic is better than finding eternal happiness!

The argument has a superficially valid form (a>b, c>a, therefore, c>b) which produces a rather unbelievable result.  It is clear that something in our reasoning has gone wrong -- but what exactly?  (It turns out that the premises equivocate on the meaning of the word "nothing.")  Our most general task is to avoid all such logical mistakes (especially in more serious contexts).  To this end we will consider in some detail the very notion of argument, argument structure, and the criteria for constructing good arguments; distinguish arguments supported by evidence and reason from mere opinion or belief; learn about a constructive form of induction and the limits of deduction; assess the nature and scope of “critical thinking”; and, most generally, apply these logical concepts to our writing, thinking, and acting.

 Online Resources

My blog listed above contains links (DKBJs Handouts) to all supporting course handouts and assignments, including a noninteractive page that lists weekly assignments for this course (Assignments: Logic).  I will also post each assignment to Canvas.

Class Policies and Expectations

Carefully review Handout CL.

Cancellations

I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop Policy

Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones and all other distracting gadgets. Please print out in advance any electronic material required for class.

Examinations

There will be several exams, spaced roughly evenly throughout the semester.  They will be modeled after the exercises of the text and designed to test your attendance and note-taking skills, basic grasp of the issues, ability to study for cumulative exams, and attention to the details of all reading assignments and problem sets.

My grading policy is transparent and simple, based solely on the scores of your exams. (See Handout CL, “grading”).

 

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Philosophy & Literature

Spring, 2024

MW 2-3:15

Bowman 204

 

Professor:            Dr. David K. Braden-Johnson                         

Department:       English and Philosophy

Office:                  60 Porter, Rm 109

Office Hours:      MW 3:30-4:30; F 2-3; and by appt.

Email:                   d.johnson@mcla.edu

Blog:                      http://www.critojazz.blogspot.com

 

Required Text: (all other readings online or in handout form)

Peter Lamarque, The Philosophy of Literature 

 Focus of Course

This course hybridizes two distinguishable yet overlapping approaches to the intersection of philosophy and literature: 1. The philosophy of literature and 2. Philosophy in literature.  The former approach (that of Lamarque) considers ways in which philosophical analysis augments our appreciation of literature, while the latter approach focuses on the contributions of literature to philosophical understanding.  To this end, and partly in response to the resurgence in the US and Western Europe of simple-minded Russophobic and dangerous, cold war-like sentiment and behavior, we will take up a close reading/analysis of several Russian authors, along with brief introductions to elements of Russian history, culture, and language.

 The first approach typically raises these sorts of questions (see the Lamarque volume):

 How ought we to define literature and fiction?

Do fictional characters exist?

Can we make true or false claims about fictional characters and events?

What is the nature and source of our emotional responses to literature?

Must we accept any particular constraints on our interpretations of a work of literature?

And the second approach typically raises these sorts of questions:

Should a writer whose aims are essentially philosophical incorporate elements of literary form?

Should a writer whose aims are essentially literary make use of philosophical analysis or ideas?

Can (should) literature improve our philosophical understanding or knowledge?

Can (should) literature improve its readers morally?

Online Activities

My blog listed above contains links to all supporting course handouts (DKBJs Handoutsand assignments, including a noninteractive page that lists weekly assignments for this course (Assignments: Phil of/and Lit).

Class Policies and Expectations

Carefully review Handout CL.

Cancellations

I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop Policy

Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, iPods, and all other distracting gadgets. Please print out in advance any electronic material required for class.

Q&As

Every couple of weeks, students will complete a short, highly-polished, critical (See Handouts CR1, CR2, and CR3) or creative writing assignment (typically based on a specific reading from our text) called “Q&As” (see Handout QA).

My grading policy is transparent and simple, based solely on the scores of your Q&As. (See Handout QA and Handout CL, “grading”).

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Art and Philosophy

Spring, 2024

MWF 1-1:50

Bowman 204

 

Professor:            Dr. David K. Braden-Johnson                       

Department:        English and Philosophy

Office:                  60 Porter, Rm 109

Office Hours:      MW 3:30-4:30; F 2-3; and by appt.

Email:                   d.johnson@mcla.edu

Blog:                      http://www.critojazz.blogspot.com

 

Required Text:   Aesthetics, Cahn and Meskin, eds. (In MCLA Bookstore)

Focus of Class

This is an introductory yet rigorous seminar in the philosophy of art (often called “aesthetics”).  In the context of a philosophical (essentially theoretical, rather than a more narrowly historical, psychological, or sociological, etc.) approach to the products and processes of human artistic efforts, this course surveys and employs a variety of traditional and contemporary concepts for describing accurately our experience, understanding, and appreciation of all forms of art.

 Our philosophical inquiries will set out from two central questions of aesthetics: “What is art/the aesthetic?” and “What is the source of art’s unique value to humans?”  We will then take up several related, domain-specific, or applied questions such as:

 What are the significant connections between artists and their audiences, society, history, politics, and the so-called “art-world”?  What is the nature of artistic innovation and/or creativity?  How are emotions/feelings, knowledge, truth, taste, beauty, and interpretation related to the arts?

Online Activities

My blog listed above contains links to all supporting course handouts (DKBJs Handoutsand assignments, including a non-interactive page that lists weekly reading assignments for this course (Assignments: Art and Philosophy). I will also post each assignment to Canvas.

Class Policies and Expectations

Carefully review Handout CL.

Cancellations

I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop Policy

Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, IPods, and all other distracting gadgets. Please print out in advance any material required for class.

Exams

Every two or three weeks, students will assist in composing and then complete in class short exams covering the content of all discussions and readings.  

My grading policy is transparent and simple, based solely on the scores of your exams. (See Handout CL, “grading”).